\n<\/b>Then, the role of the producer in the recording studio is covered: To create an atmosphere of detailed concentration and focus.
\nThis book is good for:
\n\u2022 Anyone wanting to become a Producer.
\n\u2022 Any Producer who wants to hone their skills.
\n\u2022 Executive Producers or anyone who is funding a project. It gives the EP an overview of what it will take to do the project.
\n\u2022 Anyone who is doing any type of recording, because when there is no producer, the band and the engineer become the producers!
\n\u2022 Anyone who is shopping or considering hiring a producer in order to make the best choice and be able to work with them.<\/p>\n
\n
TABLE OF CONTENTS<\/b><\/p>\n
INTRODUCTION PART 2 – THE BUSINESS SIDE OF PRODUCTION PART 3 – THE VIRTUAL MIXER CONCEPT<\/strong> PART 4 – MUSIC THEORY FOR RECORDING ENGINEERS AND PRODUCERS<\/strong> \u2022 Time PART 5 – THE PRODUCTION PROCESS<\/strong> Chapter 6 – Dynamic Flows<\/strong><\/p>\n Chapter 7 – Structuring and Critiquing the 13 Aspects<\/strong> Chapter 8 – Higher Level Concepts Chapter 12 – Balancing Creativity and Mass Appeal (Industry Trends)<\/strong><\/p>\n Chapter 13 – Moment-to-Moment Awareness<\/strong><\/p>\n Chapter 14 – Songwriting<\/strong><\/p>\n PART 7 – SELECTING OR BECOMING A PRODUCER<\/strong> PART 8 – PROTECTING YOUR MUSIC<\/strong> ABOUT THE AUTHORS<\/p>\n APPENDICES “David Gibson’s Groundbreaking work is a real eye-opener for all of us, music professionals and casual listeners alike. He has single-handedly rethought the whole metaphor for the visual representation of recorded music and conjured up a brand new way to interact with it. It’s high time we took a new look at the antique user interface employed by typical MIDI and sample editing tools – and this book and video series is a great place to start.” <\/p>\n “The book covers past, present, and future music production techniques for any aspiring as well as veteran producer. I’ve seen techniques in the book that I took for granted from years of experience, (good & bad). The book pin points what every producer\/songwriter\/arranger\/ engineer and of course DJ\/producer must deal with in a simplistic and systematic approach on the road to being successful. The book includes proven secrets & tips from a wealth of successful producers.<\/p>\n No one book can guarantee “Hit record” success, but I would venture to say that with the wealth of information contained inside, “The Art Of Producing can save you from endlessly scratching your head and second guessing yourself, and everyone else involved trying to achieve it”.<\/p>\n -Hubert Eaves III<\/span><\/p>\n","protected":false},"excerpt":{"rendered":" This book provides an all-inclusive perspective on everything that goes into producing a project, and how to do it. Most producers are simply flying by the seat of their pants. Once you have finished this book, you will have a better perspective on how to produce a project than most producers. With experience you can become a major producer.<\/p>\n","protected":false},"featured_media":5677,"comment_status":"open","ping_status":"closed","template":"","meta":[],"product_brand":[],"product_cat":[79,11],"product_tag":[],"class_list":{"0":"post-4872","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-art-of-producing-book","7":"product_cat-books","10":"first","11":"instock","12":"taxable","13":"shipping-taxable","14":"purchasable","15":"product-type-simple"},"bundled_by":[],"bundle_stock_status":"instock","bundle_stock_quantity":1,"bundle_virtual":false,"bundle_layout":"","bundle_add_to_cart_form_location":"","bundle_editable_in_cart":false,"bundle_sold_individually_context":"","bundle_item_grouping":"","bundle_min_size":"","bundle_max_size":"","bundle_price":[],"bundled_items":[],"bundle_sell_ids":[],"_links":{"self":[{"href":"https:\/\/soundhealingcenter.com\/store\/wp-json\/wp\/v2\/product\/4872","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/soundhealingcenter.com\/store\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/soundhealingcenter.com\/store\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/soundhealingcenter.com\/store\/wp-json\/wp\/v2\/comments?post=4872"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/soundhealingcenter.com\/store\/wp-json\/wp\/v2\/media\/5677"}],"wp:attachment":[{"href":"https:\/\/soundhealingcenter.com\/store\/wp-json\/wp\/v2\/media?parent=4872"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/soundhealingcenter.com\/store\/wp-json\/wp\/v2\/product_brand?post=4872"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/soundhealingcenter.com\/store\/wp-json\/wp\/v2\/product_cat?post=4872"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/soundhealingcenter.com\/store\/wp-json\/wp\/v2\/product_tag?post=4872"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nPART 1 – THE PRODUCER\u2019S JOB<\/strong>
\nChapter 1 – Types of Producers and Productions<\/strong>
\n\u2022 Types of Producers
\n\u2022 What it Takes and How to Get the Job
\n\u2022 Types of Projects
\n\u2022 The Producing Process<\/b><\/p>\n![\"\"](\"https:\/\/soundhealingcenter.com\/store\/wp-content\/uploads\/2017\/02\/Chord-Pyramid3.jpg\")
<\/p>\n
\nChapter 2 – Finances, Organization and Politics
\n<\/b>\u2022 Budgeting Scheduling and Organization
\n\u2022 Obtaining Financial Backing
\n\u2022 Dealing with Record Companies
\n\u2022 Establishing a Network Base<\/b><\/p>\n
\nChapter 3 – Visual Representations of Imaging as a Tool for Production<\/strong>
\n\u2022 Basics of Audio to Visual Mapping<\/b><\/p>\n
\nChapter 4 – Music Theory Primer<\/p>\n
\n\u2022 Note Values
\n\u2022 Time Signatures
\n\u2022 Tempo
\n\u2022 Rhythmical Structures
\n\u2022 Pickup
\n\u2022 Pitch
\n\u2022 Music Intervals
\n\u2022 Scales
\n\u2022 Chords
\n\u2022 Circle of Fifths
\n\u2022 Chord Progressions
\n\u2022 Volume
\n\u2022 Song Structures and Musical Charts<\/p>\n<\/div>\n![\"\"](\"https:\/\/soundhealingcenter.com\/store\/wp-content\/uploads\/2017\/02\/Chart-3-300x91.jpg\")
<\/div>\n
\nChapter 5 – The Pre-Production Process<\/strong>
\n\u2022 Setting up the Meeting
\n\u2022 Homework before the Meeting
\n\u2022 People skills<\/p>\n
\n\u2022 Concept
\n\u2022 Intention
\n\u2022 Melody
\n\u2022 Rhythm
\n\u2022 Harmony
\n\u2022 Lyrics
\n\u2022 Density of Arrangement
\n\u2022 Instrumentation
\n\u2022 Song Structure
\n\u2022 Performance
\n\u2022 Mix
\n\u2022 Quality of the Equipment
\n\u2022 Hooks<\/b><\/p>\n![\"\"](\"https:\/\/soundhealingcenter.com\/store\/wp-content\/uploads\/2017\/02\/All-Chord-Inversions.jpg\")
<\/p>\n
\n<\/b>\u2022 Creating a Style of Music
\n\u2022 Order of the Songs
\n\u2022 Concept Albums
\nChapter 9 – Producing in the Studio
\n<\/b>\u2022 Critiquing a Performance
\n\u2022 Focus and Concentration
\n\u2022 Other Contributing Factors
\n
\nChapter 10 – Overall Production Goals
\n<\/b>\u2022 Combining the 13 Aspects to Create a Major Production
\n\u2022 Overproducing
\n\u2022 High Level Producer Values
\n<\/b><\/b><\/p>\n
\nPART\u00a0 6 – CREATIVITY<\/strong>
\nChapter 11 – Tapping into the Source – Inspiring Creativity<\/strong><\/p>\n
\nChapter 15 – Choosing a Producer<\/strong>
\n\u2022 What to Look For in a Producer
\n\u2022 Finding a Producer
\n\u2022 How to Interview a Producer
\n\u2022 How to Present Yourself to a Producer
\n
\nChapter 16 – Selling Yourself as a Producer<\/b>
\n\u2022 Getting the Job – Finding Bands
\n\u2022 Poop Sheets
\n\u2022 Rate Sheets<\/b><\/p>\n
\nChapter 17 – Protection<\/strong>
\n\u2022 Copyrights
\n\u2022 Publishers
\n\u2022 Personal (Artist) Managers
\n\u2022 Negotiating Record Deals<\/b><\/p>\n
\nA. Checklist of all homework to be done before the Pre-Production meeting
\nB. Nomenclature and Monosyllables for describing Musical and Rhythmical Patterns
\nC. Forms
\nD. Virtual Mixer Interface<\/p>\n
\n
\n– Thomas “Dolby” Roberson <\/span><\/span><\/span><\/p>\n